The Madonna enthroned by Giotto

If you order your research paper from our custom writing service you will receive a perfectly written assignment on The Madonna enthroned by Giotto. What we need from you is to provide us with your detailed paper instructions for our experienced writers to follow all of your specific writing requirements. Specify your order details, state the exact number of pages required and our custom writing professionals will deliver the best quality The Madonna enthroned by Giotto paper right on time. Out staff of freelance writers includes over 120 experts proficient in The Madonna enthroned by Giotto, therefore you can rest assured that your assignment will be handled by only top rated specialists. Order your The Madonna enthroned by Giotto paper at affordable prices! The Madonna Enthroned by Giotto is a clash between the art of the Catholic West

and Orthodox East of the thirteenth century. This clash of both art forms resulted in the

Byzantine style. This picture is the representation of Mary enthroned as the Queen of

heaven. She holds a baby. This baby is the representation of Christ who, according to

Online writing services offer help on The Madonna enthroned by Giotto medieval precedent is a little adult.

The gold weave on the drapery worn by the figures in this picture represent

gleaming light. The flowing lines distinguish the artist as Greek. Italian influence is

shown here as well. This is shown in the crown of light, the standpoint of the wooden

throne with its tall back and the proportion of light and shade. In this picture the images

all appear to be quite close. There is no real or available background that the on looker

can see. The angels surrounding Mary look unreasonable close to one another. Also,

Mary is shown as larger than life. This is unrealistic. The artist was attempting to make

the image of Mary appear as a distance away from the angels, to show her holiness and

supreme power. There is not much depth in this picture. The images are one above the

other. There is no depth as far as a background either. There seems to be a wall behind

Marys throne which is quite unrealistic since a throne has legs behind it. The space in this

picture is limited. All of the angels are overlapping and the throne takes up the majority

of the picture.

Two-Hundred years later the Madonna of the Meadow was painted by Raphael.

This picture is also one of Mary. She is holding Christ as he plays with John the Baptist

(his second cousin). Raphaels style is derived from that of Leonardo. He shows this with

his pyramidal arrangement of figures in his work. There is much more depth in this

picure than that of Giottos Madonna Enthroned. Unlike Giottos, the Madonna seen here

is realistic. Her skin tone is not pale, it has a peachy pink color. Also, this picture has

ample depth. There is a spacious, green scenery turning blue in the distance. Raphael

paints the human images large to appear close, and the rural scenery small to show depth.

The figures in this are also much more realistic as far as the curves and

proportions of the human body. In Madonna Enthroned, the fingers of the figures are long

thin and take on a form that is not true to human anatomy. The fingers and curves of the

hands of the figures in Madonna of the Meadow are truer to that of actual human beings.

There is much more space in Madonna of the Meadow though both works are

two-dimensional. Madonna of the Meadow is a vision of a point where figures in art are

able to stand solely & still seem immortal and heavenly. Art Across time by laurie schneider adams,McGraw-Hill higher education, 00, New York, NY

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