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Sellecks presence in his stage debut is as formidable as on TV and movie screens. Selleck fans will adore him even more in person; fans of Herb Gardners A Thousand Clowns will be comparing him to Jason Robards, who played the lead onoadway in 16 and on film. The experience of the revivals stellar supporting cast reflect the demands on Selleck of transitioning from other media to stage. The star needs the opportunity to refine his technique during preview runs.
John Rando(Director), who molded the New York stage debuts of John Ritter and Henry Winkler in Neil Simons The Dinner Party, maximizes Sellecks strengths. The actors casual, chummy style fits too nicely sometimes on the role of social cynic writer Murray Burns, who flip-flops on whether to sacrifice his cynicism to get a job, or give up his live-in nephew to child welfare. Once Selleck, who delivers spark and sex appeal masters the nuances of emacing a role onstage and establishing rapport with a live audience, his and the plays fans can have it all.
Improvements should come in timing among the cast in delivering Gardners tight and somewhat updated script. Minor but intrusive flaws in using props need correcting so heads are not banged on the window leading to the apartment fire escape. Doors need to open with ease and stay shut when closed. The presentation being put together is exciting and fun.
College Essays on A Thousand Clowns
Nicholas King, as precocious nephew Nick, is an endearing scene stealer. Nick is more adult in many ways than Murray, whose boyish ways charm conflicted social worker Sandra (Barbara Garrick). Murray wrestles with whether to return to work as a writer for Leo (Mark Blum) on Chuckles, a TV show for children. Murray created the shows character three years earlier when he wrote that a chipmunk is nothing but a cute rat. Leos comic schizophrenia, as presented by Blum, hilariously dominates the third act.
adford Cover amusingly portrays Sandras co-worker and timid admirer, the overly serious Albert Amundson. Arnold Burns, who plays Robert Lupone, is Murraysother and agent, the stuffed shirt with a soft heart.
The one room apartment set by Allen Moyer is charmingly cluttered, but Nicks alcove is neat Its adaptable for Sandras makeover, which is undone by Murray tossing pillows and bedcovers across the room.
The plays schmaltzy appeal nearly 40 years ago as a family-oriented romantic comedy runs counter to the current culture of the theatrical world. Producers are hoping its uniqueness in the current environment will be its strength but Sellecks presence is a stronger bet.
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